About Lee

Lee Murdock has uncovered a boundless body of music and stories in the Great Lakes. Taking snapshots from history, his songs summon the listener to take a front-row seat, to look through the eyes and into the hearts of individuals who have shaped our heritage on and around the Great Lakes. His concerts invoke a sense of place, but it is a universal place, and a timeless repertoire that celebrates the North American people, their triumphs and tragedies, work songs and pastimes.

Noted as a fluent instrumentalist on six and twelve string guitars, Murdock combines ragtime, Irish, blues and folk styles with this flair for storytelling in songs. His musical influences span fifteen generations, and combine original compositions with traditional music.

There is an amazing timelessness in this music. Great Lakes songs are made of hard word, hard living, ships that go down and ships that come in.

The music is grounded in the work song tradition, from the rugged days of lumberjacks and wooden sailing schooners. Murdock comes alongside with ballads of contemporary commerce and revelry in the grand folk style. Lee’s fans have discovered a sweetwater treasure in his songs about the Great Lakes, finding drama and inspiration in the lives of sailors and fishermen, lighthouse keepers, ghosts, shipwrecks, outlaws and everyday heroes.

“Your program was our highest attended program or event to date. Our patrons have been raving about your concert! Songs of the great Lakes was entertaining, educational and pure joy!”

— St Charles IL Public Library

“ … bringing a fresh musical sound to the Great Lakes. Not only is he a recording artist, he’s a historian … he has given the Great Lakes the limelight using authentic Great Lakes source material, of the past and the present, as the basis for his music.”

— Richard Palmer, in Inland Seas, the Quarterly Journal of the Great Lakes Historical Society (Toledo OH)

“The premier interpreter of songs and tales about the Great Lakes … Murdock’s regionalist approach does the area proud.”

— Paul-Emile Comeau, Dirty Linen Magazine